a.
still
M.E Passport
Eternity of Silence
M.E Leaders in White Socks
perfomance
The Chair Of Saladin
The Rationaliser
The Flood System
The Grasshopper
[Inaudible Dialogue]
video
Hiding
Nakba
M.E Passport
Eternity of Silence
M.E Leaders in White Socks
perfomance
The Chair Of Saladin
The Rationaliser
The Flood System
The Grasshopper
[Inaudible Dialogue]
video
Hiding
Nakba
web
Forplacementonly.solutions
Alt-fac.com ، الاتفاق
Hello
– projects: Samt
Forplacementonly.solutions
Alt-fac.com ، الاتفاق
Hello
– projects: Samt
“Samt is a tri-monthly digital-exhibition space for contemporary research, with a mission to dilute the physicality of geopolitical boundaries through absolute detachment from national or regional political agendas. It also offers anonymity to its contributors with the use of pseudonyms as to protect and encourage those located in controlled regions.”
2016, The Rationaliser, Video Instalation
Video Projection and Photos & drawing documentation, 11m Part of Shiekh Zayed Al Nahyan Collection
In an equation of associative presence, the sentient rationalises through a simple ritual of structural random, defining a place of refuge with cartographic games and child like politics.
He, at the centre of the seeing frame, stands blind folded and bare in identity, sacks of Palestinian ruble at his feet and a vertical stick planted by his side. With his back to the horizon he carries a sack with one arm and grabs the stick with another, as if anchor, he spins around it visionless, until erratically he lets go.
Disoriented, the man walks in the direction of release, treading carefully until almost out of the observers frame, he then stops and places the sack down, runs back to the stick and repeats.
Once all sacks are placed, the man links between them with an imaginary border eagerly encompasses his Utopic garden of which within he shall safely manifest citizenship and assume belonging.
Video Projection and Photos & drawing documentation, 11m Part of Shiekh Zayed Al Nahyan Collection
In an equation of associative presence, the sentient rationalises through a simple ritual of structural random, defining a place of refuge with cartographic games and child like politics.
He, at the centre of the seeing frame, stands blind folded and bare in identity, sacks of Palestinian ruble at his feet and a vertical stick planted by his side. With his back to the horizon he carries a sack with one arm and grabs the stick with another, as if anchor, he spins around it visionless, until erratically he lets go.
Disoriented, the man walks in the direction of release, treading carefully until almost out of the observers frame, he then stops and places the sack down, runs back to the stick and repeats.
Once all sacks are placed, the man links between them with an imaginary border eagerly encompasses his Utopic garden of which within he shall safely manifest citizenship and assume belonging.